At our 100th Birthday Party and the 2026 Art in Bloom at the Montclair Art Museum, the following homage was prominently featured about a wonderful woman and committed citizen of Montclair. Julia Smith Berrall Julia Berrall: Homage from the Garden Club of Montclair Julia Smith Berrall (1904-1995) was an inspiration, a mentor, and a lifelong friend to the Garden Club of Montclair, whose members have contributed to this year’s Art in Bloom display. Julia was born on May 4, 1904, in Montclair. A graduate of Vassar College, she majored in musical studies and subsequently became a concert pianist. Later, Julia served both the Newark Museum of Art and Montclair Art Museum in various capacities for over 50 years. A longtime trustee of the Montclair Art Museum, she curated a significant number of tasteful and popular exhibitions of costumes from a variety of eras, including her first show American Costumes: 750 Years of Fashion, held in 1933. Throughout her life, Julia exhibited a great love for flowers, gardens, and their history. She maintained a spectacular garden at her Montclair home and presented lectures on gardens throughout the U.S., Canada, and Europe, including the Brooklyn Botanic Garden, American Horticultural Society, and Williamsburg Garden Society. She also led historical tours in the U.S., England, and France. Julia received an honor from the Cloud d'Or des Jardin, a select organization of garden authors specializing in history. She was recognized by The National Council of State Garden Clubs and the Garden Club of America. As an instructor for National Garden Clubs, she lectured in their Flower Show School program. She published many books, the last one in 2010, entitled Early American Garden Bouquets. The floral arrangement on this page was created by Brenda Bingham, friend and student of Julia, to commemorate her life and influence on the club. The arrangement was displayed at the club's 100th birthday celebration on April 27, 2026, along with the above tribute.. Return to 100th Birthday Party photos

To celebrate our centenary, 11 of our finest designers created extraordinary floral arrangements, translating their reflections on each decade into exquisite and deeply personal physical expressions. Thank you, Barbara Baletti, for conceiving of this project, and spearheading it to success. See also photographs of members and their significant others at the party held at the Montclair Museum of Art on April 27, 2026. The 1920s — “Bold and Beautiful” The era known as the “Roaring Twenties” was a time of dramatic economic, social, and cultural change. An economic boom and the mass production of cars and household appliances brought the rise of consumer culture. Prohibition led to bootlegging and “speakeasies.” Women won the right to vote. “Flappers” challenged traditional gender roles with new fashions, dancing, and bobbed hair. African American literature, art, and music were brought to the forefront by the Harlem Renaissance. My flower design was inspired by the opulent and bold Art Deco style of the time which featured dramatic, large-scale designs using clean, sharp lines. A key element was the use of soft romantic blooms with bold or unusual foliage. — Fran Ackerly The 1930s — “Softness and Grace” The 1930s favored elegance, restraint, and a return to natural beauty in the decorative arts. Even during the hardships of the Great Depression, flowers brought warmth, color, and optimism into the home. Bouquets were not simply decorative — they reflected the era’s aesthetic, blending simplicity with everyday charm. Arrangements balanced the sleek influence of Art Deco with traditional craftsmanship. Unlike the rigid symmetry of earlier decades, bouquets embraced natural movement and negative space, allowing flowers to appear as they grow in nature. The classic English garden bouquet also returned in popularity, interpreted with a more structured artistic touch. — Deborah Hirsch The 1940s — “Triumph Over Tragedy” The 1940s were a pivotal and traumatic decade for the world at large and particularly for my family. Both my parents lost most of their relatives during the Holocaust. My mother, Flory, a refugee from Yugoslavia, met and married my father, Harry, a US Army Master Sergeant, in Bari, Italy. She loved carnations. He loved tulips. The world struggled to regain normalcy, my parents began a new life in the US and embraced the future! This design is in honor of them. — Betty Jagoda Murphy The 1950s — “The Golden Decade" 1950s America was a time marked by post-war economic boom, a rise in suburban living, and a return to traditional family values. Though we didn’t live in suburbia, my parents did buy their first house as a young married couple in Brooklyn in the late 1950s. My mom, who was a traditional wife and mother, loved cooking and hosting family and friends for dinner parties and holidays. She would set her dining room table with her wedding china and would always have a centerpiece of beautiful flowers. My floral design is reminiscent of my mom and those happy times when life was good and prosperity abounded. It was the “golden age” for the middle class. — Cynthia Corham-Aitken The 1960s — “The Age of Aquarius” The 1960s saw the rise of counterculture and the hippie movement which emphasized peace, love, and opposition to the Vietnam War. Young people revolted against social conformity, rejected materialism, and demanded more freedoms for women and minorities. Music, attitudes, and clothing changed. Women’s below-the-knee skirts gave rise to minis, GoGo boots replaced loafers, and jeans and long hair were trademarks for the younger generation of both women and men. My design is a tribute to the fashion of the day, the psychedelic GoGo look with a touch of daisies as an anti-war statement. — Susan Benner The 1970s — “Romance, Flair, and Music” The 1970s in the U.S. were a time of introspection and vibrancy, blending uncertainty with bold self-expression. After the Vietnam War and the Watergate scandal, trust in institutions declined, but culture thrived. Disco’s frenetic nightlife, bell-bottom fashion, and iconic films like “The Godfather” and “Saturday Night Fever” defined the era. Weddings reflected a mix of romance and flair, with lush flowers like roses and carnations. Marc and I married in 1971, surrounded by a pale blue décor, blue and white roses, and many colorful flowers. Royal blue tapers sat on each table — more vibrant than typical earth tones of the era! — Cheryl Slutzky The 1980s — “Power, Glamour, and Excess” Nothing was understated about this decade — the 80s were all about power, glamour, and excess. Everything was bold and oversized, the bigger the better, and topped off with lavish bling and glitz. So I ransacked my garage for the biggest, splashiest, most over-the-top plant material I could find. The mood and colors were inspired by a photo of an iridescent 80s brocade evening gown, shimmering with pale threads of aqua, gold, and copper. — Tova Narrett The 1990s — "Love and Marriage" The 90s were a decade of economic prosperity and cultural stability in America. The Cold War had finally ended and there was relative peace in the world. Americans spent more, the population trended upward, and with it so did marriage rates. Did you know that there were 2,443,000 marriages in the early 90s, the highest number since 1984? With that in mind we decided to create a “Marriage Bouquet” as our decade design to celebrate “Love and Marriage.” — Barbara Baletti and Florence Leyssène The 2000s — “The Purity and Hope of White" The 2000s were a tumultuous decade. Our nation was enduring both economic and political crises yet experiencing a boom in technology. A seminal event that helped to temper national anxieties was the election of our first Black president who projected a vision of “Hope and Change” for America. I wanted to create a floral design that reflected a sense of purity and hope yet contained a quality of lushness and formality with an abundance of white flowers. What better way to convey this feeling than with roses, hydrangeas, and calla lilies? — Susan Brady The 2010s — “Creative Minimalism” The 2010s were a decade when flower designs, strongly influenced by social media, moved away from rigid, dome-shaped bouquets toward more minimal designs that featured a mix of textures and greenery. Modern Minimalist and Line-Focused floral designs surfaced in the latter part of the decade, using less plant material and focusing on negative space and clean lines. The National Garden Club, while maintaining its Standards and Principles, responded to these shifts in the design movement and revised its 2017 Handbook to include more creative design types using less plant material. My exhibit features a Creative, not Traditional, minimal plant material design. — Sarah Stransky The 2020s — “Short and Sweet” The second decade is witnessing a resurgence in the popularity of floral design in terrariums. First off, there is to be a wide variety of small succulents to choose from. Designers can let their creativity run wild. Chain stores such as Amazon provide prepackaged packs of soil, mosses and other growth media — everything one needs to get into terrarium gardening. Even our own Amy South even got into the fun when she owned “Moss and More”! — Susan Straten

On April 27, 2026 we celebrated 100 years of the Garden Club of Montclair's proud history. Members and their significant others gathered together at the Montclair Art Museum to commemorate our past, honor our present, and raise a glass to our future. The event, coordinated by Cynthia Corhan-Aitken and Karen Fricke with the essential assistance of many of our members, was a wonderful success, as you can see by the photos, below, and the closeups of the 11 breathtaking floral arrangements celebrating each decade of our existence (click here to view). The highlight of the evening was the movie, created by Alex Pavljuk, Creative Media Producer at MAM, which featured many of our emeriti as well as our newest members talking about our extraordinary history and what the club has meant to them, An homage to Julia Berrell was also prominently displayed (click here to read). Thanks to everyone who made the evening such a success, as well as to an anonymous member for her generous gift of splendid tote bags to mark the occasion. These photos were taken by Amy Poster, Sue Young, and of course, Sue Yu. Clicking on a photo will bring it, and all of them, up in a slideshow.

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